When World War II broke out, the Taylor family decided to return to the United States to settle in Los Angeles.

After introducing some casting, Liz got a contract with Universal at the age of ten, debuting in “There’s one born every minute” (1942), a comedy directed by Harold Young.
After this film, Universal ignored the girl, shortly after being hired by Metro Goldwyn Mayer. In this study, Elizabeth became one of the most outstanding girls prodigy of the time.

With “Lassie” (1943), film starring Lassie the dog that was run by Fred. M. Wilcox, Liz Fortune debuted in the glamorous studio.
At this early stage as an actress Taylor also spoke in titles like “Soul Rebel” (1944) by Robert Stevenson, or “The White Cliffs of Dover” (1944), a film directed by Clarence Brown.
The final leap to stardom for Elizabeth came with “National Velvet” (1944), a film directed by Clarence Brown said the actress co-starred with Mickey Rooney.

The 40 ended with another Lassie movie directed again by Wilcox, “The Courage of Lassie” (1946), the famous version of “Little Women” (1949) by Mervyn Leroy, and “Life with Father” (1947), Michael Curtiz comedy with William Powell as the main male protagonist.

Already become quite a woman, the beautiful violet-eyed interpreter would be in the following decades the most important actress of Hollywood, not only for their professional achievements but for their sentimental publicized adventures, which began in 1950 when she married the millionaire Nicky Hilton Jr.

The cinema, the 50 confirmed to Elizabeth Taylor as a great performer thanks to films like “Father of the Bride” (1950), “Father’s” (1951), “A Place in the Sun” (1951) “Ivanhoe” (1952), “Beau Brummell” (1954), “The Last Time I Saw Paris” (1954), “Giant” (1956), “The tree of life” (1957), Cat on Tin Roof “(1958) or” Suddenly, Last Summer “(1959), a film directed by Joseph L. Mankiewicz.

In this period, the actress met two of his best friends, Rock Hudson and Montgomery Clift (who called her “Bessie Mae”), actors (both gay) with Liz always maintained a close friendship.

His work in “The Tree of Life,” “Cat on a Hot Tin Roof” and “Suddenly, Last Summer” were rewarded by his peers each with Oscar nominations.

Their married life had many changes during the 50′s. The link to Hilton lasted less than a year after divorcing in 1951 and married Liz over the decade with the actor Michael Wilding (“Torn”), who lived between 1952 and 1957, with producer Mike Todd (” Around the World in 80 Days “), with whom he was married from 1957 to 1958, which left a widow, and singer and occasional actor Eddie Fisher, former husband of Debbie Reynolds with whom he was matched between 1959 and 1964.

After being nominated several times, Elizabeth Taylor was finally able to achieve the golden statuette for his role in “A Marked Woman” (1960).

After this film and the prize of the Academy Awards, the brunette actress embarked on a mega project of “Cleopatra” (1963), an adaptation of the life of the famous and seductive Egyptian queen.
The shooting was dire and lasted an eternity, causing the cost figures shot up to dizzy at that time, with Liz Taylor’s salary of one million dollars.

“Cleopatra” directed by Joseph L. Mankiewicz, finally opened in 1963 unable to recover the money invested. During the filming of this movie Elizabeth shared the limelight with a British actor who portrayed Mark Antony, Richard Burton, the actress who starred in one of the most famous romances in history of cinema.
They married in 1964, divorced ten years later, in 1974 and remarried in 1975 to end definitively split in 1976. All of a soap opera.

Elizabeth Taylor and Richard Burton appeared together in a handful of titles. In addition to “Cleopatra”, the two staged “International Hotel” (1963), “The Sandpiper” (1965), “Who’s Afraid of Virginia Woolf?” (1966), a film for which Liz won her second Oscar, “The Taming of the Shrew” (1967), “The Comedians” (1967), “Doctor Faustus” (1968), “The woman cursed” (1968), “Covenant with the Devil “(1972),” Under Milk Wood “(1973), and television and with an appropriate title for your personal situation,” Divorce His, Divorce Hers “(1973).

The following decades were less prolific and satisfactory professional level for Liz, who worked mainly for television products and devoted much of his free time to promote the fight against diseases such as cancer (had surgery for a brain tumor) and AIDS, especially after the death of his friend Rock Hudson.

Some of the titles rolled in his last professional stage was “Ash Wednesday” (1973) by Larry Peerce, “The Blue Bird” (1976) by George Cukor, “The Broken Mirror” (1980) by Guy Hamilton, or ” The Flinstones. The Flintstones “(1994), adapted from the cartoon series was produced by Steven Spielberg.

Elizabeth Burton after his divorce, he remarried twice more. In 1976 he married the politician John Warner, who broke up in 1982. Her last husband was the builder Larry Fortensky, who was married between 1991 and 1996.

Watch Elizabeth Taylor movies on FMO:

The Last Time I Saw Paris

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Elizabeth Taylor in Wikipedia

Carole Lombard life and legend

Meanwhile, played the most varied and unusual occupations, among them the treasure hunter, sheep castrating, sailor, fisherman, soldier, dishwasher or even pearl diver. In 1930 he returned to Sydney for a while and bought a small boat which he called Sirocco, and sailed, with three friends, to New Guinea. There he found work as foreman of a plantation of snuff, besides being a columnist in the Sydney Bulletin. All these experiences were narrated by him in three memoirs, more or less fictionalized: Beam Ends (1937), Showdown (1946) and My Wicked, Wicked Ways (1959).

Back in Australia, accepted the role of Fletcher Christian in a semi-documentary film entitled In the Wake of the Bounty (1932). Thus, almost by chance, came into contact with the interpretation, and was slowly gaining experience in intervening in works produced by the Northampton Repertory Company. London had the opportunity to participate in a low-budget film, Murder at Monte Carlo (1934), which managed to be hired, and for Hollywood, the company Warner Brothers.

He came to Hollywood in 1935, where he appeared in several small productions as actor (sometimes, almost extra). His real opportunity came very soon, as Robert Donat, actor of great physical resemblance to Flynn (even wearing that little mustache that made him famous), fell from the cast of the film being prepared by Michael Curtiz, Captain Blood (1935), and the director called Flynn, who by then had only 26, so that embody Dr. Peter Blood, a character who ended up becoming a pirate.

The film is a vivid combination of sea battles, sword duels (against the great Basil Rathbone) and tempestuous romance with actress Olivia de Havilland near the Caribbean beaches, ingredients all of which launched the young Flynn directly to stardom. After this success, Warner made available a generous budget The charge of the Light Brigade (1936), directed by Michael Curtiz, where the director and two actors starred in an adventure with a capital that had its genesis in the famous poem by Tennyson.

The following year participated in The Prince and the Pauper (1937), William Keighley, lavish adaptation of the novel by Mark Twain who got a huge box office hit and was the subject of a remake some years later. Immediately after he was summoned again by Curtiz to embody a Robin Hood (1938), Curtiz and Keighley itself, with Olivia de Havilland, Basil Rathbone well and Claude Rains. Keighley, retired shortly after shooting began, he left the direction of Michael Curtiz, the director, perhaps along with Raoul Walsh, best understood to Flynn, whose partnership has been one of the most brilliant and legendary adventure film.

As success followed one another movie after movie, the Warner decided that the trio should stay together. Thus, born movies like Dodge City, Gunfighter (1939), or Holy Road Fe (1940), accompanied by Ronald Reagan, or The Sea Hawk (1940), all of Curtiz. The latter did not have the Havilland, although it did intervene Brenda Marshall and Flora Robson in the role of Queen Elizabeth I of England, which accuses Flynn (a character inspired by the pirate Drake) in public (although welcomed in private) to address the Spanish galleons in the Caribbean. The character of Elizabeth I repeated in The Private Lives of Elizabeth and Essex (1939), also Curtiz, this time played by Bette Davis, who falls in love with Robert Devereaux, Earl of Essex, character played by Flynn.

In the prime of his career reunited with Olivia de Havilland in one of the legendary films in cinema history, They died with their boots on (1941), by Raoul Walsh. The importance of this production lies probably in the awesome force that Walsh gave to the staging and the excellent script and the excellence of Flynn, which offers even his character, beyond his obvious heroism, a certain instability enriches him.

Maybe next year when they reached greater popularity (for different reasons) was 1942. On the one hand, starred Gentleman Jim (1942), Raoul Walsh, adapted from an autobiographical novel by James J. CorbettThe Roar of the Crowd”, Which achieved great success in it he played a brash character that fitted perfectly with the type of roles that used to play Flynn. However, his career suffered a setback when he was accused of raping two teenage girls on his yacht. Although it was eventually acquitted of the crime, his public image suffered so that he could not recover. To this must be added that, in recent months, his wife, actress Lili Damita, filed for divorce.

From the second half of the forties, career and Errol Flynn’s star began to wane. The reasons for this are to be found in their problems with drinking, snuff and, above all, drugs, besides having to earn a reputation as a womanizer who never left him. However, their participation (at the height of war propaganda films of Hollywood) in Objective: Burma (1945), Raoul Walsh, was unanimously acclaimed as well as the excellent cinematography by James Wong Howe. As a curiosity, the film was shot in black and white, and the sets, which emulated the Burmese jungle and had been built on a ranch in California, were certainly surprising.

In the fifties he left Hollywood to try to relaunch his career in Europe, but failed so miserably. To make matters worse, he lost every dollar he had in one, from the beginning, damn project William Tell (1954), which was not even finished. In 1956 he returned to Hollywood and, ironically, receive rave reviews for his performance, completely drunk, in Fiesta (1957), Henry King, based on the novel by Ernest Hemingway. Absolutely drunk returned to play his next two films, Too Much, Too Soon (1958), Art Napoleon (where he plays John Barrymore), and The Roots of Heaven (1958), John Huston. Finally, part (in addition to co-produce) a disastrous semi-documentary film, to the glory of Fidel Castro and his war against Batista, entitled Cuban Rebel Girls (1959), Barry Mahon.

A heart attack would kill him when he was only fifty years, although in recent years her body and her face appeared a much older age. Errol Flynn, despite the impairment that figure accounted for the scandals in which he was immersed and drug problems has gone down in film history as the greatest actor of adventures.

Watch Errol Flynn movies on FMO:

In the Wake of the Bounty

Cuban Rebel Girls

Santa Fe Trail

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Errol Flynn in Wikipedia

Watch Michael Curtiz movies on FMO:

Santa Fe Trail

Additional details in: Michael Curtiz in IMDB

Michael Curtiz in Wikipedia